What Is The Damnation of Faust?
What Is The Damnation of Faust?
La damnation de Faust (English: The Damnation of Faust), Op. 24 is a work for four solo voices, full seven-part chorus, large children’s chorus and orchestra by the French composer Hector Berlioz. He called it a “légende dramatique” (dramatic legend).
When was the Damnation of Faust written?
1846
La damnation de Faust/Written
How many pieces are in La Damnation de Faust?
“La Damnation de Faust” is divided into four parts, the first of which showcases the scholar Faust contemplating why he will never achieve the simple happiness of peasants. In the second part, Faust prepares for suicide but the sound of church bells stops him.
Who is the parents of Hector Berlioz?
Louis Berlioz
Marie-Antoinette-Joséphine Marmion
Hector Berlioz/Parents
Hector Berlioz was born on December 11, 1803, into the family of Dr. Louis Berlioz and Marie-Antoinette-Josephine. Hector was the first of six children, three of whom died. He took music lessons at home from a visiting teacher and played flute and guitar.
What was the name of the Hungarian national theme on which Hungarian March is based?
Rákóczy-indulo
Berlioz relates in his Memoirs (Travels in Germany II, 3rd letter to Humbert Ferrand; see Texts and Documents) the circumstances of the composition of this march in 1846, based on a Hungarian national theme (Rákóczy-indulo).
How did Hector Berlioz make a living?
Hector Berlioz turned his back on a career in medicine to follow his passion for music, and went on to compose works that showcased the innovativeness and search for expression that were hallmarks of Romanticism.
Who is the father of Hector Berlioz?
Louis Berlioz
Hector Berlioz/Fathers
What two figures influenced Berlioz the most?
For Symphonie fantastique, Berlioz was inspired in part by Thomas De Quincey’s Confessions of an English Opium-Eater. For La damnation de Faust, Berlioz drew on Goethe’s Faust; for Harold en Italie, he drew on Byron’s Childe Harold; for Benvenuto Cellini, he drew on Cellini’s own autobiography.
How did Beethoven influence Berlioz?
True to his method, he started to study Beethoven’s scores and soon knew them intimately: in time he probably knew all the published music of Beethoven. Though Weber outclassed Beethoven in the dexterity and inventiveness of his orchestral writing, Beethoven became for Berlioz the touchstone of all instrumental music.
Why is Berlioz important?
Hector Berlioz Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works, and conducted several concerts with more than 1,000 musicians. He also composed around 50 songs.
Was Symphonie Fantastique a success?
The concert was a great success. The audience even requested to have an encore of the March played. This symphony was a first of its kind in every way. The idea of a programmatic symphony had previously only briefly been touched upon by Beethoven in his “Pastoral” 6th.
What made Symphonie fantastique unique?
Symphonie fantastique is an epic for a huge orchestra. Through its movements, it tells the story of an artist’s self-destructive passion for a beautiful woman. The symphony describes his obsession and dreams, tantrums and moments of tenderness, and visions of suicide and murder, ecstasy and despair.
When did Hector Berlioz write the Damnation of Faust?
La damnation de Faust. La damnation de Faust (English: The Damnation of Faust), Op. 24 is a work for four solo voices, full seven-part chorus, large children’s chorus and orchestra by the French composer Hector Berlioz. He called it a “légende dramatique” (dramatic legend). It was first performed at the Opéra-Comique in Paris on 6 December 1846.
When was the Damnation of Faust first performed?
La damnation de Faust (English: The Damnation of Faust ), Op. 24 is a work for four solo voices, full seven-part chorus, large children’s chorus and orchestra by the French composer Hector Berlioz. He called it a “légende dramatique” (dramatic legend). It was first performed at the Opéra-Comique in Paris on 6 December 1846.
What does Mephistopheles sing in La damnation de Faust?
Marguerite enters and sings a ballad about the King of Thule, who always remained sadly faithful to his lost love (“Autrefois, un roi de Thulé”). Méphistophélès summons spirits to enchant and deceive the girl and sings a sarcastic serenade outside her window, predicting her loss of innocence.
Who is Marguerite in La damnation de Faust?
Disgusted by the vulgarity of it all, Faust demands to be taken somewhere else. On a meadow by the Elbe, Méphistophélès shows Faust a dream vision of a beautiful woman named Marguerite, causing Faust to fall in love with her. He calls out her name, and Méphistophélès promises to lead Faust to her.
https://www.youtube.com/watch?v=l4NG_NSXfIw